Design Notes
The books' original volumes are written by hand, as are books in
the Elven culture. Thus they strive to be as close to being authentic as
possible, to reflect its atmosphere, and also to be true to basic ideas,
aesthetic views and concepts of Tolkien. (For example his views about
mechanical reproduction vs. handicraft, personal touch and inspired art;
his attention to detail and its enormous impact and importance,
especially when languages and letters involved.) Calligraphy reflects
J.R.R.Tolkien's and also my great love for letters and scripts, and also the
ideals for beauty, uniqueness, and mastery in art and craft that back
the creation and purpose of Tengwar themselves. It shows the exquisite
beauty of Tengwar and creates the appropriate 'cultural atmosphere' for
reading a text written in them. It also enables multiple combinations
with letters' variations (words being rendered case by case), which
permits the system to function graphically to the fullest. It breathes
life into the text, giving every word unique power and expression. The
illumination used matches the calligraphy and adds one more dimension to
the layout. The calligraphic and graphics' styles are deliberately
devised for this project, with great respect for Tolkien's artistic and
aesthetic ideas. The books are original works of art
striving to complement Tolkien's ideas and concepts, without copying
medieval and other historical manuscript styles, samples and
art.
The "Parma Eldaliéva" series offers a variety of scripts
and illumination styles. Each book presents something different, but all
of them are unified by a sense of a 'single culture'. Some feature
mixtures of various scripts and layouts, their usage depending on the
story/timeline/culture/purpose of the texts. In that way the manuscripts
are maximally true to Tolkien's storytelling and also keep a befitting
emotional, cultural and aesthetic diversity. The first "Parma
Eldaliéva" features a relatively (compared to other volumes in
the series) low level of complexity of the orthographic mode and a
relatively unchanging script throughout the book that suits the unbroken
timeline and one-character centered story. In it I have adhered to a
relatively uncomplicated hand. Thus it provides not only a work of art
the audience may take pleasure in contemplating, but also an exciting
challenge and an intellectual game for its members.
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